He has previously helped develop Passion Pit, Mumford and Sons, and Holy Ghost in the early stages of their careers, showing us that the best of this duo is yet to be seen. That being said, it is worth noting that producer Chris Zane is the driving force behind this little-known band. This may be a natural downside to the lack of instruments, but the pace in most of the songs is slow and downbeat, and so it seems that the duo could diversify more. Their songs are also stylistically simplistic at times. ![]() The duo only played five songs in their short performance, showing that there is still much to add to their repertoire. This also serves as a reminder that while Jack + Eliza are on an upward career path, they are most certainly still developing. The venue of Hill and Dale record store added to this intimacy, as it was small enough for Eliza to casually ask the small crowd “is the guitar too loud?” and inform us that the next song “Floodlights” wasn’t well-practiced. And herein lies the appeal of Jack + Eliza: they’re inherently youthful and effortless in their performance, as if they have just been caught in a backyard jam session. There is nothing romantic about the partnership, but Jack + Eliza cannot help but remind you of the end scene in “Juno,” where the two love interests sit and lazily play songs together on their guitars. Although Eliza’s vocals definitely lead the harmonies, the duo complements one each other perfectly. The two teenagers share more than just musical chemistry they grew up together as childhood friends, and their effortless camaraderie is felt in their comfortable performance and the way in which their voices easily combine. On “Secrets,” the duo sings, “Why don’t you tell her/ All of your secrets?” Jack + Eliza capture the overall mood of their music by describing it as “melodious sun-drenched pop,” as it is very much reminiscent of the ’60s, but with a modern twist. The influence of this ’60s era music is heard in their effortless tunes that coat their lyrics with sweet sentiments. The dreamy melodies first popularized by the Beatles are certainly present in their music, but Eliza’s atmospheric guitar solos also give the duo a rockier vibe. They list their main inspiration as The Beatles while also citing Tame Impala, The Mamas & the Papas, and African ’60s psychedelia as their other musical influences. However, the Manhattan-born duo has a strong sense of musical direction that makes their future work promising. This unconventional blend of electric guitars and nostalgic, California-style pop vocals interwove with one another surprisingly well.ĭespite the quality of their sound, Jack Staffen and Eliza Callahan are still relatively unknown: their biggest single “Hold the Line” has less than 15, 000 views on YouTube, and they don’t have the typical artist’s Wikipedia page. The duo was called Jack + Eliza, and the two musicians filled the room with their combined guitar strumming and drowsy ’60s, Motown-style harmonies. Last month, two grungy 19-year-olds performed in a small record store filled with fewer than 20 people. Well the J.M.The up-and-coming duo Jack + Eliza brought 1960s spirit to their intimate performance at Hill & Dale Records. These lyrics are based on the version performed by the Longest Johns on their album, Between Wind and Water. "Larboard" is an older term for "port", so the "larboard lead" would be the lead line on the port (left) side of the boat. They would drop the weight into the water and then measure the depth against marks along the length of the rope. The "lead line" was a rope with a lead weight on the end. Heave the larboard lead refers to the way they would check the depth of the river. It was finally destroyed in a fire in December of 1888. White was never profitable in its eight-year career. ĭespite its speed and luxurious fittings, the J.M. However, once the repairs were completed, the White caught and passed the Natchez, setting a new speed record in the process. ![]() White suffered a severe mechanical failure and had to slow for repairs, and it appeared the race would be over. Famously, it was challenged to a race by the Natchez. White was a steamboat famed for its technological advancements that traveled the New Orleans to Greenville trade route, and was supposed to have been the fastest ship to have steamed that line. Other known versions of the song mention the Natchez, but it's likely that versions were sung about several different boats. ![]() White is common to most modern versions of the song, but it wasn't launched until 1878. Screwing cotton refers to the process of using large jack-screws to compress and force cotton bales into the hold, a process common in the port of Mobile, Alabama.
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